As with my previous official Grandpa Helicopter album (Music to Get You Shot At), this album is rather untamed. In fact, there are even more untamed elements here.
There is rarely any mathematical or theoretical strategy to what I do. I usually just do it.
I'm not a mathematician or theorist, but a musician who plays in a raw, generally uncalculating way.
Yes, there is noise here, and some "atonal" stuff.
Many people say "To hell with atonal music!," and we end up with more predictable, bland and uninteresting music that way. I'm not totally against convention, mind you, but it's just not the be-all-end-all with me. I'm willing to use it or lose, depending on what works for me. If the people who want convention to rule have their way, everything will sound like American Idol, or worse.
There is rarely any mathematical or theoretical strategy to what I do. I usually just do it.
I'm not a mathematician or theorist, but a musician who plays in a raw, generally uncalculating way.
Yes, there is noise here, and some "atonal" stuff.
Many people say "To hell with atonal music!," and we end up with more predictable, bland and uninteresting music that way. I'm not totally against convention, mind you, but it's just not the be-all-end-all with me. I'm willing to use it or lose, depending on what works for me. If the people who want convention to rule have their way, everything will sound like American Idol, or worse.
